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Luke and Kate are co-workers at a Chicago brewery, where they spend their days drinking and flirting. They’re perfect for each other, except that they’re both in relationships. Luke is in the midst of marriage talks with his girlfriend of six years. Drinking Buddies
Hannibal Buress discusses everything from throwing a parade in New Orleans to flirting with Scarlett Johansson. Hannibal Buress Live From Chicago
From the director of AMERICAN HUSTLE and SILVER LININGS PLAYBOOK comes this clever comedy with an all-star cast that examines dysfunctions of modern family life. Flirting With Disaster
Lourdes is befriended by a good looking cable guy who seems to be doing a lot more flirting than working. Cable Guy
son:DA belogs to that area of art characterised by linking of various technologies and media, as well as a new approach to the group work. son:DA is active in the fields of space installations, computer drawings, audio-video performances and different gallery project. Since 2000 son:DA has shown their work internationaly.
Their solo exhibition were in Razstavnem salonu Rotovž Maribor, Kibla Maribor, Galeriji Meduza Koper, Likovnem salonu Celje, Galerij Kapelica Ljubljana, ARCO Madrid, Turner contemporary Margate, Kunstverein-Porschehof Salzburg, Mario Mauroner Contemporary Vienna and Salzburg, C-O Care of Milano, LaVitrine Maribor, AP4-Art Lugano, Mali galerija MOMA Ljubljana, Miklova hiša, Galerija Škuc, New Moment Gallery Belgrade and Bitforms gallery New York.
Among other places, they were part of group exhibitions in Essl Collection Vienna, Renaissance society Chicago, Tate Modern London, Museum of contemporary art St.Louis, The Kitchen gallery New York, Stedelijk museum Amsterdam, Museum of contemporary art Solun, Museum of contemporary art Novi Sad, ARCOS Benevento, Center for Visual Introspection Bucharest, Kunstraum Bethanien Berlin, The Cultural Centre of Liège, Press to exit Skopje, MACRO Rome, Institute for contemporary art Sofia, Sonambiente Berlin, Kunstlerhaus Vienna and Graz, Center for contemporary art Velan Torino, UGM Maribor, P74 Ljubljana, MOMA Ljubljana, MGLC Ljubljana and on animation film festivals in Izola, Zagrebu, Florence, Utrechtu and Hiroshima.
In 2009 son:DA became a foundation for theory and practice of audio-visual art. Their archive can be found on http://sonda.kibla.org
WEB LINK & CONTACT:
http://sonda.kibla.org/
MAIL: sonda9@gmx.net
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o projektu / about the project ZVO.ČI.TI. (so.und.ing):

ZVO.ČI.TI. (so.und.ing) is presenting the work of artists and music by sound researchers: Marko Batista, Luka Prinčič (Nova deViator), Tao G. Vrhovec Sambolec, SON: DA, Octex, Borut Savski, Irena Tomažin and Bojana Šaljič Podešva. ZVO.ČI.TI. (so.und.ing) is a production of a thematically related sound-art audioperformances of Slovenian composers and sound artists in podcast format. The project integrate audio-Slovenian intermedia scene, creating the field of contemporary music on musical theatrical, audio and internet-based field and internet research performances.
The project involves the authors of young and middle generations that generate predominantly creative approach to music and sound for various forms of contemporary art projects. Featured authors are actively flirting with exploratory attitude to sound, music and sound presence in the field of contemporary sound-art.
The project ZVO.ČI.TI. (so.und.ing) is produced by CONA institute in a co-production with RAM LIVE and co-curated by Ilari Valbonesi (intermedia curator, director RAM LIVE).
Project is supported by the Ministry of Culture of the Republic of Slovenia. SONDA - "dubrovnik.008"
Luka Prinčič aka Nova Viator aka Nova deViator works in the field of sound and programming as a performer and composer. He is an artist, web-developer, dj, writer, critic, reverse engineer, part-time hacker and open source agent. Released numerous web-albums, worked at Ljubljana Digital Media Lab on various online, streaming and sound projects. Co-curated first Slovene digital moving image festival Scan Line.
WEB LINK: http://deviator.si/

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o projektu / about the project ZVO.ČI.TI. (so.und.ing):

ZVO.ČI.TI. (so.und.ing) is presenting the work of artists and music by sound researchers: Marko Batista, Luka Prinčič (Nova deViator), Tao G. Vrhovec Sambolec, SON: DA, Octex, Borut Savski, Irena Tomažin and Bojana Šaljič Podešva. ZVO.ČI.TI. (so.und.ing) is a production of a thematically related sound-art audioperformances of Slovenian composers and sound artists in podcast format. The project integrate audio-Slovenian intermedia scene, creating the field of contemporary music on musical theatrical, audio and internet-based field and internet research performances.
The project involves the authors of young and middle generations that generate predominantly creative approach to music and sound for various forms of contemporary art projects. Featured authors are actively flirting with exploratory attitude to sound, music and sound presence in the field of contemporary sound-art.
The project ZVO.ČI.TI. (so.und.ing) is produced by CONA institute in a co-production with RAM LIVE and co-curated by Ilari Valbonesi (intermedia curator, director RAM LIVE).
Project is supported by the Ministry of Culture of the Republic of Slovenia. Nova deViator: "fragments on radio art / tetsuo kogawa / xl experiment"
The official blog of the top Asian pickup artists and dating coaches in the world. Learn the art of confidence, seduction, pick up, holistic game, and text flirting with the best. ABCs of Attraction Blog - Podcasts powered by Odiogo
Change is good! That's why I've changed the name of my show from "Samara's Place", to "Diva Radio, with Samara Banyar". Let's face it, we're all "divas" deep down inside... OK, some of us have a dominant "Diva" gene, but my new show title does away withe that pesky apostrophe, which just seems to drive search engines crazy, so now its "Diva Radio. But don't worry, the name may have changed, but the game remains the same. We'll still be talking about relationships, dating, sexual interaction, fitness, beauty, and pop culture. And you remain a very important part of this program. No matter who my scheduled guest may be, I count on my listeners to make this show fresh, and to keep the content compelling and unpredictable. So listen, call, and join my chat room for a great hour of chat, talk, flirting and impromptu fun every Saturday night on "Diva Radio", with Samara Banyar. Diva Radio, with Samara Banyar | Blog Talk Radio Feed
Borut Savski in Milan Kristl
O analogični kompoziciji:
Analogična kompozicija je osnova dramaturskega pristopa dveh avtorjev, ki je sicer improvizacija, vendar s predvidenim in predsestavljenim instrumentarijem. Razteza se med strukturo in de-strukturo - torej časovno: med trenutkom in konstruiranim (sestavljenim, zaporednim) časom. Če je sočasje (sinhronost) sodelovanja dveh avtorjev ena od osnov - torej: vzporejanje - je druga v razporejanju (v zaporedja) - v podrobnem je to ritmiziranje - v širšem pa je to glasbena kompozicija. Instrumentarij je na eni strani sestavljen iz različnih senzorskih sistemov - video, infrardečih, zvočnih in dotičnih (taktilnih) - povezanih na računalnik. Ti sistemi so različno odzivni - nekateri neposredno, drugi algoritmično. Na drugi strani je človesko telo in njegovi neposredni zvočni vmesniki, kot so piščali, brenkala in glasovi. Poudarek v obeh primerih pa je vendarle v iskanju sledi organskosti (telesnosti; ki je vedno predvsem struktura) logičnega (računalniškega, kulturnega) in analognega sistema (ki je avtonomija teles in njihovih odločitev)- torej analogne logike.

O principu analogičnosti:
Skovanka “analogično” je skrajsana besedna zveza ‘analogna logika’, ki je zanimiva zato, ker dejansko pomeni analogična logika, torej: nelogična logika. Torej nekaj takega kot ‘neumni um’. Semantično pa kaže na to, da je nelogično izpeljava iz logičnega - torej je primarnejši izraz: logično. Beseda, ki je zelo blizu ‘analogičnemu’ je ‘analogno’, vendar je v praksi (v kulturi...) povsem drugačnega (celo nasprotnega) pomena. Analogno opisuje, da je pri prevajanju iz ene vrednosti v neko drugo prišlo do proporcionalne (podobne - analogne) spremembe. Mi dodajamo, da je bila sprememba pri pretvorbi v drugo veličino skoraj linearna (v nasprotju z večpomenskostjo nelinearnih sistemov). V splošnejšem človeškem jeziku pa: da je pomen (skoraj) isti.
V matematiki je bila pred desetletji zanimiva beseda ‘fuzzy logic’ ali slovensko: ‘mehka logika’.
Primernejši izraz bi sicer bil ‘nejasna logika’. Ne le dve izključujoči se stanji - ampak neskončno stanj. Še en uporabljan izraz za omenjeni princip je ‘analogna logika’ - od tu torej skovanka principa analogičnega kot nelogične logike.
Analogični princip sicer izhaja iz gradnje (elektronskih) strojev, pri katerih moment odločitve ni enoznačen, ampak je zaradi zajemanja podatkov dveh senzorjev, uporabe analognih elektronskih komparatorjev in posebne konfiguracije pomičnih registrov precej samosvoj. Pri tem mislimo na samosvojost v razmeroma kratkem časovnem intervalu, ki ga dojemamo kot ritem, vendarle pa ga lahko označimo kot rudimentarni spomin - no, pomnilnik.
WEB: http://www.3via.org/trivia/
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o projektu / about the project ZVO.ČI.TI. (so.und.ing):

ZVO.ČI.TI. (so.und.ing) is presenting the work of artists and music by sound researchers: Marko Batista, Luka Prinčič (Nova deViator), Tao G. Vrhovec Sambolec, SON: DA, Octex, Borut Savski, Irena Tomažin and Bojana Šaljič Podešva. ZVO.ČI.TI. (so.und.ing) is a production of a thematically related sound-art audioperformances of Slovenian composers and sound artists in podcast format. The project integrate audio-Slovenian intermedia scene, creating the field of contemporary music on musical theatrical, audio and internet-based field and internet research performances.
The project involves the authors of young and middle generations that generate predominantly creative approach to music and sound for various forms of contemporary art projects. Featured authors are actively flirting with exploratory attitude to sound, music and sound presence in the field of contemporary sound-art.
The project ZVO.ČI.TI. (so.und.ing) is produced by CONA institute in a co-production with RAM LIVE and co-curated by Ilari Valbonesi (intermedia curator, director RAM LIVE).
Project is supported by the Ministry of Culture of the Republic of Slovenia. BORUT SAVSKI and MILAN KRISTL - "Analogična kompozicija" (Analogic Composition)
Bojana Šaljić Podešva

She closed studies composition at the AG in Ljubljana and studying electroacoustic composition in Vienna. The basic means of her expression is composing electroacoustic music - which covers both fixed two - or multi - channel compositions as well as "real-time" processing instrumental works - vocal sounds or sound installations. For her work she received many awards from slovenian and international competitions - both for concert works - (such as Gustav Mahler Kompositions Preis 32, international competition of Electroacoustic music Bourgesu in france, as well as music for film and theater (eg . Vesna - music from the film Children of Petrick).
photo: Matjaž Pihler
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SLO:
Bojana Šaljić Podešva je zaključila študij kompozicije na AG v Ljubljani in študij elektroakustične kompozicije na Dunaju. Temeljno izrazno sredstvo skladateljice je elektroakustična glasba, s čimer zajema tako fiksno izdelane dvo- ali večkanalne kompozicije kot tudi »real-time« obdelavo instrumentalno – vokalnega zvoka ali zvočne inštalacije. Za svoje delo je bila večkrat nagrajena na slovenskih in mednarodnih komponističnih natečajih; tako za koncertna dela (npr. Gustav Mahler Kompositions Preis, 32. Mednarodno tekm. elektroakustične glasbe v Bourgesu (FRA)), kot tudi za glasbo za film in gledališče (npr. Vesna za glasbo iz filma Otroci s Petrička).

foto: Matjaz Pihler

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o projektu / about the project ZVO.ČI.TI. (so.und.ing):

ZVO.ČI.TI. (so.und.ing) is presenting the work of artists and music by sound researchers: Marko Batista, Luka Prinčič (Nova deViator), Tao G. Vrhovec Sambolec, SON: DA, Octex, Borut Savski, Irena Tomažin and Bojana Šaljič Podešva. ZVO.ČI.TI. (so.und.ing) is a production of a thematically related sound-art audioperformances of Slovenian composers and sound artists in podcast format. The project integrate audio-Slovenian intermedia scene, creating the field of contemporary music on musical theatrical, audio and internet-based field and internet research performances.
The project involves the authors of young and middle generations that generate predominantly creative approach to music and sound for various forms of contemporary art projects. Featured authors are actively flirting with exploratory attitude to sound, music and sound presence in the field of contemporary sound-art.
The project ZVO.ČI.TI. (so.und.ing) is produced by CONA institute in a co-production with RAM LIVE and co-curated by Ilari Valbonesi (intermedia curator, director RAM LIVE).
Project is supported by the Ministry of Culture of the Republic of Slovenia. BOJANA SALJIC PODESVA

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