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PBS and our member stations are America’s largest classroom, the nation’s largest stage for the arts and a trusted window to the world. In addition, PBS's educational media helps prepare children for success in school and opens up the world to them in an age-appropriate way.
We invite you to find out more about America’s largest public media enterprise.
PBS
The Walt Disney Company often simply known as Disney, is the largest media and entertainment conglomerate in the world, known for its family-friendly products.
Disney
John Cassidy on the perils of austerity; James Surowiecki on Tea Party economics ; Ryan Lizza on Michele Bachmann; Dana Goodyear on eating insects; Tom Bissell on video-game actors; Elizabeth Kolbert on the Neanderthal genome; Hilton Als on “Julius Caesar”;
The New Yorker
CNN.com is among the world's leaders in online news and information delivery. Staffed 24 hours, seven days a week by a dedicated staff in CNN's world headquarters in Atlanta, Georgia, and in bureaus worldwide, CNN.com relies heavily on CNN's global team of almost 4,000 news professionals.
CNN
29HD Network's mission is to highlight, bring forward and present interesting, intriguing, enlightening and visually stunning programming via media delivery platforms like the Video iPod, Sony PSP, broadband 2.0 and including a cable and satellite network delivered in HD and 5.1 surround sound formats
29HD Network
Ford Models, founded in 1946 by Eileen and Jerry Ford, is the world’s most prestigious modeling agency representing more than 2500 models globally
Ford Models
TED is a small nonprofit devoted to Ideas Worth Spreading -- through TED.com, our annual conferences, the annual TED Prize and local TEDx events.
TED
TED: Ideas worth spreading
KQED is for everyone who wants to be more. Our television, radio, digital media and educational services change lives for the better and help individuals and communities achieve their full potential
KQED
Hong Kong's biggest Radio and TV
RTHK ON INTERNET
Wiggly, Joe, TDC, Stan
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The dark and brilliant sketch comedy of San Francisco's Kasper Hauser Comedy Group has dazzled audiences around the world, on stage and on Comedy Central. Hear audio comedy, watch videos, and read pages from the hilarious catalog parody "Skymaul: Happy Crap You Can Buy From A Plane," which has already been acclaimed by Patton Oswalt, George Saunders, Fred Willard and John Hodgman.
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On these video pages, the emphasis is on dynamic visual possibilities in active language systems --possibilities that arise from interactions and associations between sights, sounds, and textures, on multiple scales in multiple locations. These visual experiments in poetry are Video POAMS (products of acts of making) that explore what happens when the visual is allowed to extend beyond visible text, and when the page is not required to be paper (though it may still exist that way). The Limited Fork Video Anthology features examples of some of the forms of poetry that Limited Fork Poetics enables and encourages. Look for video poams from student and other practitioners (forkers) of Limited Fork Poetics in this frequently updated podcast. Visit the Limited Fork podcast to learn more about Limited Fork Poetics and to see video poams by the mother of Limited Fork Poetics. And for the the sounds of Limited Fork, visit the Limited Fork Music podcast. Many of the soundtracks from the Video Poams are available at the Limited Fork Music podcast.
Limited Fork Video Anthology
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The Limited Fork show featuring POAMs: Products of Acts of Making in fulfillment of principles of Limited Fork Poetics: the study of interacting language systems, where the visual, sonic, tactile, and olfactory meet to form and reform (compelling) structures. Where focus on an intensely stabilizing area can still produce (forms of) sonnets that will maintain a particular form for only a limited period of time after which other structure(s) emerge, some of the emergence occurring across physical, sensory, and other dimensions.
This podcast is the place where POAMS, products of acts of making, will evolve, for the idea (as well as the poams that come out of the idea) is dynamic, seeking ways to fulfill the need for expression that coincides with unfolding understandings of existence. At the end of one of the branching roots of LFP and at the tip of one of the branches is belief in the pleasure of making things, a pleasure increased by acts of making that understand and try to take advantage of the range of what is possible and available.
BY FOCUSING ON INTERACTIONS, THE WHOLENESS OF THE ORGANISM IS EMPHASIZED.
The LFP experiment will showcase successes and failures, for the dead ends, the branches that do not bear sweet fruit, edible fruit, or any fruit at all, nevertheless contribute meaningfully to the recognizable structure of the tree. Perhaps the beauty of the tree depends on the presence of some dead ends.
Every week, there will be a visual or sonic episode (a branch) that reflects the current status of the ongoing study of interacting language systems. The LFP show will always present what is within its changing limits. Not (just) poems, but POAMS.
To hear more music of Limited Fork, visit the Limited Fork Music podcast. For more Limited Fork movies, visit the Limited Fork Video Anthology to download the video work of student and other practitioners of what Limited Fork Poetics enables and encourages.
Limited Fork
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